Charles and Ray, Designers From the Near Future

Loved this passage from Sam Jacob’s essay “Context as Destiny: The Eameses from Californian Dreams to the Californiafication of Everywhere,” published in the satisfyingly chunky The World of Charles and Ray Eames (2016):

For architects and designers like [Peter and Alison Smithson, who were British], the Eameses’ Californian-ness opened a dazzlingly bright window into another world, a sun-kissed world far from the origins of European modernism weighed down by all that Old War baggage — by history, politics and war, by notions of an avant-garde, by post-war reconstruction and the serious politics of the welfare state.

To the Smithsons and their ilk, the Eameses appeared as if designers from the near future. They saw in the American couple a ‘light-hearted thinking in featherweight climate-bits-and-pieces seeming off-the-peg-architecture … [a] do-it-yourself out of gorgeous catalogues, the Sears-Roebuck thinking … [a] whole blow-up, plug-in, camp-out, dump-digging type of thinking and living.’ They saw in Charles and Ray the kind of design practice that they themselves were struggling to imagine — a form of design practice that combined the modernist legacy of social improvement with new sensibilities of popular, mass-produced modernity. They saw a lightness of touch, with a direct connection to lifestyle and an easy ability to reach out across the traditional boundaries of design and out into the wider world.

Fjord Trends 2019

Thought-provoking framing of “what’s ahead for the future of business, technology and design.” From #2, “Silence is golden”:

We’re seeing a dramatic escalation in the rate at which people disconnect, unsubscribe and opt out to stem the barrage of content and messages that clutter daily life. As consumers, we’ve come to realize that it’s no longer simply a lifestyle choice, but a serious mental health issue. As we put up more barriers between ourselves and digital technologies, organizations must learn how to offer value to users who crave quiet in a noisy world.

"The World’s First and Only Completely Honest Résumé of a Graphic Designer"

A gem by Marco Kaye at McSweeney’s: 

In my portfolio, you will see that unproduced package redesign for Squirtburst, inspired by kinetic typography popular in the West Coast concert posters of the 1960’s. In this designer’s opinion, it creates a visual appeal unprecedented in the beverage aisle. The client called it “uninspired” and said it would make kids “vomit if they stared at it for too long.” Next time you’re at the grocery store, please, pick up any Squirtburst drink and compare our taste levels.