From the intelligent and beautifully made monograph Abbott Miller: Design and Content, which I devoured in early January, here is the designer/writer talking about the firm Design Writing Research, which he co-founded with Ellen Lupton:
During this time [perhaps mid-1990s], DWR moved from its basis in small print-based projects to exhibitions and publications. We elaborated our position as a hybrid of think thank, publisher, and design studio. The goal was to fuse our work as designers and writers, creating a studio that could generate content and use the unique skill set of designers to focus on projects about art, design, architecture, and ideas. In this notion of the content-based studio there were a number of inspirational precedents, from Charles and Ray Eames to Quentin Fiore and Bernard Rudofsky.
Our original emphasis on language and theory merged with work for clients who came to us not so much for the manifesto-like pronouncements of our mission, but for the thoughtful interplay of design and content in our projects. DWR was a self-consciously literary and conceptual hothouse version of a design studio, undertaking projects that experimented with literary theory and psychoanalysis, leaning heavily on what we saw as the vastly underdeveloped relationship between writing and graphic design. We borrowed from Jacques Derrida an expanded notion of "writing" (écriture), which included all elements of graphic communication, from symbols to spacing. Hence our predilection for mazes of glyphs, our attentiveness to the minutiae of punctuation and our maniacal focus on typography and textural systems.